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Along the way, Ms. Blumenthal climbs the career ladder by engaging in wild orgies at work meetings, sex-filled international business trips (including an unexpectedly public fling in an Amsterdam shop window) and erotic trysts with Duchesses in motels. But it was the unorthodox language which flits between elaborate metaphorical descriptions of sexual organs ( her nipples were now as large as the three-inch rivets which held the hull of the fateful Titanic ), crude and gynecologically questionable terminology during the frequent sex scenes ( he grabbed her cervix ), and the sort of dialogue that makes 50 Shades of Grey sound like it was written by Aaron Sorkin ( we just had good old-fashioned sex. it was what we both wanted, and when you get what you want, you feel great! ), alongside hilariously dreary and overly descriptive passages dedicated to the corporate world of pots and pans which gave Morton the inspiration to turn his initial disgust to his creative and comical advantage. And so he brought on board his university friends Alice Levine and James Cooper to sit around a kitchen table while he read aloud chapters for their amusement and dissection. Three books on and Belinda and her cohort of regional sales managers (including the rather under-endowed Jim Sterling: did the man know he was only tickling her? ) have become literary icons. Along the way, My Dad Wrote a Porno has picked up a growing collection of celebrity followers eager to get involved, http://tubetria.mobi with the likes of Elijah Wood, Daisy Ridley and Michael Sheen popping over to record the special Footnotes podcast spinoff (which essentially revolves around them drinking, reciting their favorite lines, discussing the motivations of Rocky Flintstone and falling about in hysterics). Silicon Valley s Thomas Middleditch, who joined via Skype from Puerto Rico where he was filming Replicas with Keanu Reeves, told them he had never laughed harder. Speaking to The Hollywood Reporter before the Latitude performance (which Levine describes as a fully immersive live porn experience), and the day of a sold-out show at London s Royal Festival Hall (usual home to classical concerts), Morton, Cooper and Levine discuss their growing and unexpected U. S. fan base, being forced to kick Sheen out of the house after he refused to leave, and ideas to turn My Dad Wrote a Porno into a film (Tommy Wiseau,
anyone. Any idea how big your U. S. fan base is. Cooper: We get analytics about who s listening where and obviously New York and L. A. are the big pockets. But we get emails from all over Philadelphia, the Deep South, which always surprises me. So it s definitely there and I m such a nerd I love the data and stats so I keep checking the American chart and I think we re top 10 or skirting around there in comedy podcasts. So it s definitely growing. Morton: It s a bit of a hard sell initially My Dad Wrote a Porno . But I think once you start listening and realize that it s not what you might expect it to be and it s more charming, shall we say, than visceral. And it kind of is a word of mouth hit. I think people share it quite naturally, which is nice. The humor is very British. And rude. When you started did you ever envisage someone in the, say, Deep South, listening to it. Levine: I feel like podcasts have that ability to transcend taste, because it s such an intimate medium. I think if it was TV or something else, perhaps we would have to moderate it. But it s quite an individual listening experience. People have this communal way of debriefing on it. Maybe it has that sort of culty, if you know, you know feel. Maybe that s why we get away with it. Cooper: And I think as well, maybe people aren t getting it on TV or elsewhere, we re providing something quite unique in that you d never seen this stuff on TV, as racy and sweary as it is. Its something you can t find really find anywhere else. What s the most comical fan mail you ve had from the U. S. Cooper: People like correcting us a lot. We re often mispronouncing things or saying British things that Americans don t know and they re like, what s a tombola? . We get people asking us what British-isms are. We ve learned to explain as we go for everyone. Levine: And people saying that s not a typical Texan. That s not representative of all Americans. Rocky paints a quite broad stroke sometimes. I think some people just wanted to clarify that their fellow countrymen are not unanimously like that. I imagine that Rocky is delighted that he s got an audience overseas. Morton: Oh yeah. We can t actually stop him from writing. We ve tried. But he loves it. For a 60-year-old man who wrote something in his garden shed, to suddenly be enjoyed by millions of people all over the world it s been a crazy journey for him. It took him a while to kind of get his head around, a) what a podcast was, and b) how successful it s been. When people like Elijah Wood came on the show he well I think we all realized the scope of the show and quite how far it s come. Because when we record, it s such an intimate thing. We don t really think about who s going to be listening to it or where they re going to be listening to it. We just focus on what we re making. But it s nice to realize people are enjoying it all over the place. You ve had Daisy Ridley, Elijah Wood, Michael Sheen and recently Mara Wilson on the show s spinoff, Footnotes. Is there a long queue of talent lining up to appear. Cooper: We ve got a couple more lined up. We really like just dropping them and not announcing that they re happening until they come out. Until they actually turn up at our front door, we never know that it s going to happen. There s definitely some that have come out of the woodwork recently that we re really excited about. Levine: Can we give a clue one of them is an Academy Award winner. Do they get in touch directly or is it via their publicists. Cooper: No, I don t think a publicist would go near our show! It s very much them working on their own. A lot of times they ve reached out to us on social media or people that they know do and say, just so you know x is quite a big fan and we pick it up from there. But that s what s been so nice about the show it is very organic the way that we get people on. Daisy Ridley turned up to James flat with two bottles of Prosecco and said, I am so excited, let s do this. It is that kind of relaxed. And I think that s why they do it. If it was a bit more produced they d probably be more wary. Didn t Michael Sheen stick around until 1 a. m. Morton: We couldn t get rid of Michael.

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